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The final bars of the Hallelujah chorus, from Handel's manuscript Handel's music for Messiah is distinguished from most of his other oratorios by an orchestral restraint—a quality which the musicologist Percy M. Young observes was not adopted by Mozart and other later arrangers of the music. [ 112 ]
Two trumpets and timpani highlight selected movements, such as the closing movements of Part II, Hallelujah. Handel uses a cantus firmus on long repeated notes especially to illustrate God's speech and majesty, such as "King of Kings" in the Hallelujah chorus. [6]
Handel,_Messiah,_Hallelujah_Chorus_closing_bars_01.wav (WAV audio file, length 16 s, 1.41 Mbps overall, file size: 2.75 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
In Handel’s great chorus, the word is joyous, victorious, accompanied by trumpets and drums. In Sergei Rachmaninoff’s "All Night Vigil," however, hallelujah reflects a more quiet devotion.
The Foundling Hospital Anthem is compiled from material originating in other works by Handel, including two movements from the Funeral Anthem for Queen Caroline (1737), a sombre chorus that had been edited out of Susanna (1748), and most notably, the "Hallelujah" chorus from Messiah, which concludes the anthem. [2] [4]
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