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Early in the 20th century, the American translator Charles Derbyshire (whose English translation of Rizal's "Mi Ultimo Adios" is the most popular and most often recited version) translated the poem, but the translation contained flaws, as can be seen for example in the fifth line, where he translates "bella esperanza de la patria mia!"
The piece was one of the last notes he wrote before his death. Another that he had written was found in his shoe, but because the text was illegible, its contents remain a mystery. Rizal did not ascribe a title to his poem. Mariano Ponce, his friend and fellow reformist, titled it "Mi último pensamiento" (transl.
Coates's Rizal Philippine Nationalist and Martyr is the second biographical account of the life and career of Rizal authored by a non-Filipino (the first was Vida y Escritos del Dr. José Rizal or "Life and Writings of Dr. José Rizal" written by W.E. Retana that was published in 1907, thus Coates's book on Rizal was the first European biography of Rizal since that year).
The prologue for W.E. Retana’s book on Rizal was written by Javier Gómez de la Serna, while the epilogue was written by Miguel de Unamuno (1864–1936). Vida y Escritos del Dr. José Rizal is the first biographical account of the life of Rizal written by a non-Filipino author (the second is Rizal: Philippine Nationalist and Martyr by British ...
Rizal also tried his hand at painting and sculpture. His most famous sculptural work was The Triumph of Science over Death, a clay sculpture of a naked young woman with overflowing hair, standing on a skull while bearing a torch held high. The woman symbolized the ignorance of humankind during the Dark Ages, while the torch she bore symbolized ...
Alzona was a tireless promoter of the works and legacy of her distant relation, the national hero Jose Rizal. In addition to translating his works and frequently lecturing on Rizal, Alzona served as the first president of the Kababaihang Rizal. [4] As a National Scientist, Alzona is buried at the Libingan ng mga Bayani.
No manuscript for "Sa Aking Mga Kabatà" in Rizal's handwriting exists. [4] The poem was first published in 1906, a decade after his death, in a book by the poet Hermenegildo Cruz. Cruz claimed that he received the poem from another poet, Gabriel Beato Francisco, who in turn had received it in 1884 from an alleged close friend of Rizal ...