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"Keep On Jumpin'" is a song written by musician Patrick Adams and Ken Morris. This track has been remade, remixed, and sampled numerous times, but only the 1978 original by Adams's group Musique and Todd Terry's 1996 updated version with Martha Wash & Jocelyn Brown (who was also a member of Musique) reached number one on the US Billboard Hot Dance Club Play chart.
Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.
The Outer Limits (1963 TV series) – Dominic Frontiere (1) Harry Lubin (2) The Outer Limits (1995 TV series) – Mark Mancina and John Van Tongeren; The Outsider – Pete Rugolo; The Owl House – T. J. Hill; Ozzy & Drix – performed by Kenneth Gray; P.S. I Luv U – Greg Evigan and Suzanne Fountain; Pacific Blue ("Just Another Day in L.A ...
Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common sort of altered chord in tonal music. [2] Secondary chords are referred to by the function they have and the key or chord in which they function. Conventionally, they are written with the notation "function/key ...
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
I–V–vi–IV progression in C Play ⓘ vi–IV–I–V progression in C Play ⓘ The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include:
"Swing My Way" is a bass song by American hip-hop duo K.P. & Envyi. For each of them, it is their only top 40 hit, reaching No. 6 on the Billboard Hot 100 for the week ending March 14, 1998. [5] It entered the Hot 100 on the week ending December 27, 1997, at No. 86. [6]
It is a succession of chords whose roots descend in fifths from the second degree to the fifth degree , and finally to the tonic. In a major key, the supertonic triad (ii) is minor, and in a minor key it is diminished. The dominant is, in its normal form, a major triad and commonly a dominant seventh chord.