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The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
The Ukulele Orchestra of Great Britain (UOGB) was formed in London in 1985 when the multi-instrumentalist and musicologist George Hinchliffe gave his friend the post-punk singer Kitty Lux a ukulele for her birthday, after she had expressed an interest in learning more about harmony.
Three Chords and the Truth is the third studio album by American street punk band The Ducky Boys. It released on November 16, 2004 via Thorp Records and was produced and mixed by Jim Siegel. The group reverted to a three piece band with a big, professional recorded sound for the album.
The lyrics to "My Boy Only Breaks His Favorite Toys" from the new Taylor Swift album The Tortured Poets Department leaked the night before its scheduled release. See the lyrics to the song "My Boy ...
Only Boys Aloud was founded in May 2010 by Tim Rhys-Evans. [1] Rhys-Evans, who founded Only Men Aloud in 2000, brought 144 boys onstage to sing with Only Men Aloud at the opening of the National Eisteddfod in Ebbw Vale in 2010. According to Rhys-Evans, he intended to use this one-time event to gauge the level of interest in a Welsh boys' choir.
"My Boy Only Breaks His Favorite Toys" is a song written and recorded by the American singer-songwriter Taylor Swift for her eleventh studio album, The Tortured Poets Department (2024). Produced by Swift and Jack Antonoff, it is a synth-pop song featuring marching drums and elements of new wave. The lyrics describe romantic abandonment by an ...
Mercer wrote "Things Ain't What They Used to Be", "Blue Serge" and "Moon Mist". [2] Jazz musician and historian Chris Tyle argues that most likely Mercer Ellington came up with the melody and his father then arranged the song for the band. [2] The song is most often played as an instrumental. Lyrics were written by Ted Persons. [1]
Prominent bass, dramatic vocal work. Like 'Don't Talk', there's a strong hymnal flavour on this one, but the only complaint is that the backing dominates the vocals. Sax break , which is very unusual on Beach Boy records, and tambourines galore at the end." [46]