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"One Last Time" is a dance-pop song, [17] [18] with a total length of three minutes and seventeen seconds (3:17). [5] Its instrumentations consist in "pummeling drums and a three-note synth line". [19] "One Last Time" is written in the key of A-flat major, with a moderately fast tempo of 125 beats per minute. Grande's vocals range from A ♭ 3 ...
Ukulele Songs is the second solo studio album by American singer and Pearl Jam frontman Eddie Vedder. It was released on May 31, 2011. [ 1 ] The album is composed of original songs and new arrangements of several standards.
Play ⓘ Chart of common soprano ukulele chords. One of the most common tunings for the standard or soprano ukulele is C 6 tuning: G 4 –C 4 –E 4 –A 4, which is often remembered by the notes in the "My dog has fleas" jingle (see sidebar). [51] The G string is tuned an octave higher than might be expected, so this is often called "high G ...
"(Let's Get Together) One Last Time" is a song written by Billy Sherrill and George Richey, and recorded by American country music artist Tammy Wynette. It was released in January 1977 as the first single from the album Let's Get Together .
This is a list of ukulele players. ... This page was last edited on 10 February 2025, at 16:30 (UTC).
"Summer Time" was released amidst the COVID-19 pandemic, following a run of seventy-five consecutive live stream shows online from the band.Frontman James Barker reflected on the importance of summer to Canadians and wanted to spread some optimism in the pandemic summer, saying "we hope ... fans connect with that nostalgic feeling of a more relaxed state of mind".
According to its sheet music, "Salt" is set in the time signature of common time, and has a moderate tempo of 144 beats per minute. The song is composed in the key of G major and it follows the setup of a verse, followed by chorus-verse-chorus and a post-chorus. [13] The chorus features Oh Land harmonizing with several layers of her own vocals.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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