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The Norton Shakespeare annotates "and keep invention in a noted weed" thus: And keep literary creativity in such familiar clothing. The Oxford English Dictionary's definition of weed is "an article of apparel; a garment", and is consistent with the theme of mending, re-using, etc. ("all my best is dressing old words new"). [8]
Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.. In the sonnet, the speaker is not able to adequately speak of his love, because of the intensity of his feelings.
Shakespeare on the other hand shared a reciprocal love with both his lovers; the objects of his love were “articulate, active partners.” [20] Shakespeare's sonnets are divided between his two lovers: sonnets 1–126 for a male, and sonnets 127–152 for a female; the first to a fair youth, and the second to a dark lady. Petrarch's sonnets ...
Sonnet 26 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.. The sonnet is generally regarded as the end-point or culmination of the group of five preceding poems.
Or heart in love with sighs himself doth smother, With my love’s picture then my eye doth feast And to the painted banquet bids my heart; Another time mine eye is my heart’s guest And in his thoughts of love doth share a part: So, either by thy picture or my love, Thyself away art present still with me;
This theory states that the Earl, one of Shakespeare's patrons, became the subject of Shakespeare's love, and the majority of the Sonnets are addressed to him. More specifically, Sonnet 105 occupies a group of sonnets within the Fair Youth sequence, from 97 to 105, that seem to indicate happiness at the return of Shakespeare's love, the ...
Sonnet 39 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Structure
Sonnet 151 is characterized as "bawdy" and is used to illustrate the difference between the spiritual love for the Fair Youth and the sexual love for the Dark Lady. [2] The distinction is commonly made in the introduction to modern editions of the sonnets in order to avoid suggesting that Shakespeare was homosexual. [2]