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Two principal techniques are used to produce seed beads: the wound method and the drawn method. The wound method is the more-traditional technique, is more time-consuming, and is no longer used in modern bead production: in this technique, a chunk of glass known in glassmaking as a gather and composed mainly of silica is heated on an iron bar until molten.
In 2003, the excavation of a large Yayoi period settlement in Tawaramoto, Nara also revealed two large jade magatama, one 4.64 centimetres (1.83 in), the second 3.63 centimetres (1.43 in) in length. The larger Tawaramoto magatama is the 10th-largest example found to date in Japan.
Each bead is the beach-worn apex of a cone snail. Such shells are often strung as necklaces, known as puka shell necklaces. Puka is the Hawaiian word for "hole" and refers to the naturally occurring hole in the middle of these rounded and worn shell fragments. Numerous inexpensive imitations are now widely sold as puka shell necklaces.
A bead is a small, decorative object that is formed in a variety of shapes and sizes of a material such as stone, bone, shell, glass, plastic, wood, or pearl and with a small hole for threading or stringing. Beads range in size from under 1 millimeter (0.039 in) to over 1 centimeter (0.39 in) in diameter.
Wampum beads are typically tubular in shape, often a quarter of an inch long and an eighth of an inch wide. One 17th-century Seneca wampum belt featured beads almost 2.5 inches (65 mm) long. [1] Women artisans traditionally made wampum beads by rounding small pieces of whelk shells, then piercing them with a hole before stringing them.
Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. [1] Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced.
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