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Éditions de la Table ronde is a French publishing house founded in 1944 by Roland Laudenbach. Since 1996 it has been an imprint of éditions Gallimard.
Pages in category "Éditions de la Table ronde books" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. C.
Maison de la Radio et de la Musique. Coordinates: 48.8526°N 2.2782°E. Maison de la Radio seen from the air in 2009. Maison de la Radio et de la Musique, nicknamed “maison ronde” (“the round house”) is the headquarters of Radio France. It is located in the 16th arrondissement of Paris near the Eiffel Tower. Built in the shape of huge ...
"Table Ronde" was a successful song written by Joseph Kabasele in the popular Congolese rumba style and performed by his band L'African Jazz. It was written for the Round Table Conference on Congolese independence held in Brussels , Belgium in 1960 which gave the song its name.
Chansons gaillardes. The Chansons gaillardes (Ribald songs) FP 42, are a song cycle of eight pieces composed by Francis Poulenc in 1925–1926 "In euphoria and post-war" [1] on anonymous texts of the 17th century. The work was dedicated to Mme Fernand Allard . This cycle was premiered in concert on 2 May 1926 at the Salle des agriculteurs, 8 ...
The Song of the Albigensian Crusade [1] is an Old Occitan epic poem narrating events of the Albigensian Crusade from March 1208 to June 1219. Modelled on the Old French chanson de geste, it was composed in two distinct parts: William of Tudela wrote the first towards 1213, and an anonymous continuator finished the account.
Quatre petites mélodies. (Satie) The Quatre petites mélodies ( Four Little Songs) is a 1920 song cycle for voice and piano by French composer Erik Satie. It is most notable for its opening lament, Élégie, which Satie composed in memory of his friend Claude Debussy. A typical performance lasts under 4 minutes.
La chanson de Fortunio ( The Song of Fortunio) is a short opéra-comique in one act by Jacques Offenbach with a French libretto by Ludovic Halévy and Hector Crémieux. [1] The music was composed within a week, with a further week being spent in preparations for the production. Its success was welcome after the failure of Barkouf a fortnight ...