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Super 8mm film cameras were first manufactured in 1965 by Kodak for their newly introduced amateur film format, which replaced the Standard 8 mm film format. Manufacture continued until the rise in popularity of video cameras in the mid-1970s. In 2014 the first new Super 8mm camera in 30 years was introduced by the Danish company Logmar Camera ...
Double Super 8 film (commonly abbreviated as DS8 or DS 8) is a 16 mm wide film but has Super 8 size sprockets. Double Super 8 for amateurs In amateur DS8 cameras, the film is used in the same way as standard 8 mm film in that the film is run through the camera twice, exposing one side on each pass.
In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through. To easily differentiate Super 8 film from Standard 8, projector spools for the former had larger ...
With the crash of the Super 8 industry in 1980 so crashed Beaulieu. In 1985 Beaulieu re-emerged under the direction of Jean Ferras with a new Super 8 camera the 7008 . The 7008 series was a slight upgrades to the 6008 series . It also had a new lens design the 6-90mm Angenieux lens. Some time in the late 1980s the company shifted its focus a ...
The film format is similar to the super 8 mm format, but without the Polavision tabletop viewer the only way a Polavision film can be shown is by destroying the cartridge and projecting the removed film with an ordinary super 8 mm projector or transferring it to video with a telecine system.
Newsreel and amateur film cameras such as the Filmo (end of 1923) and Eyemo (1925), and Autoload EE (1956) Military Gun sight TYPE N-8 [8] Regular-8 and Super-8 film cameras and projectors (all models) 16mm silent and sound projectors (all models) Slide projectors (2" × 2"; 5 cm x 5 cm) 35mm filmstrip projectors; Overhead presentation ...
After Kodak (USA) introduced Super-8 film, in 1965 EUMIG launched the movie camera "Viennette Super-8" and the projectors "Mark M Super-8" with threader and arrest projection and "Eumig Mark S Super-8" for Super-8 sound film. At the time, EUMIG was the only European manufacturer with a complete range of equipment for Super-8 film.
Paillard Bolex was slow to introduce a Super 8 camera although they quickly modified the 18-5 Auto 8 mm projector for Super 8 as the 18-5 L. At about this time(1966), the Bolex 16 Pro Camera was introduced to compete with the Arriflex 16 BL camera, as a technically advanced professional camera more suited for television use than the H16.