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Poor Man's Poison is an American folk band from Hanford, California. [1] The lineup since its creation consists of guitarists Ryan Hakker and Michael Jacobs, mandolinist Tommy McCarthy and double bassist Dustin Medeiros; all members share vocal duties, although Hakker usually acts as lead vocalist.
The album art featured a model dressed as a demon with a long red tongue. Arguably more odd than evil or sexual, the cover generated controversy and was later replaced with a censored version that just showed the model's eyes. [1] Slayer – Christ Illusion (2006) The cover depicts a mutilated, stoned Christ in a sea of blood with mutilated ...
Record Collectors Are Pretentious Assholes is hardcore punk band Poison Idea's second EP. [2] [3] It was released in 1985 through Fatal Erection Records.[4] [5]The artwork, coupled with the title, is a joke at the expense of guitarist Pig Champion, as it is a picture of his extensive record collection.
Frank Kozik (January 9, 1962 – May 6, 2023) was an American graphic artist best known for his posters for alternative rock bands. With his prolific output and connections in the music industry, Kozik helped revitalize rock poster art in the late 1980s and 1990s, and was a founder of the modern art print scene.
The Anguished Man, an allegedly haunted painting by an unknown artist, contains the artist's blood in its paint, according to its owner. [4] The Flaming Lips released a limited run of vinyl records of the 2012 album Heady Fwends containing the blood of the musicians involved, sold for $2,500 each. [5] [6]
In the 1980s, Bergmann played with Vancouver independent bands Los Popularos and Poisoned before the latter band signed to Duke Street Records in 1988. [2] Due to confusion with the popular American band Poison which had marred the band's most recent tour, however, the label decided to bill the band's releases as solo albums by Bergmann.
The Opposite of December... A Season of Separation is the debut full-length album by American metalcore band Poison the Well.It was released on December 14, 1999. Influential in the early popularization of metalcore around the turn of the 21st century, the album was the band's first on Trustkill Records and is now recognized as a landmark album in the genre due to its quality and in
Hipgnosis' approach to album design was strongly photography-oriented, and they pioneered the use of many innovative visual and packaging techniques. In particular, Thorgerson and Powell's surreal, elaborately manipulated photos (utilizing darkroom tricks, multiple exposures, airbrush retouching, and mechanical cut-and-paste techniques) were a ...