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Mini-prélude en éventail (1987) scored for Les Citations (instrumentation: oboe, harpsichord, percussion, double bass) by Kenneth Hesketh (2016, unpublished) Sonate pour hautbois for oboe and orchestra (2019 – orchestrated by Kenneth Hesketh, published by Leduc)
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A Baroque orchestra is an ensemble for mixed instruments that existed during the Baroque era of Western Classical music, commonly identified as 1600–1750. [1] Baroque orchestras are typically much smaller, in terms of the number of performers, than their Romantic-era counterparts.
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
The work is composed of three movements: [2] Allegro spirituoso; Andante; Rondo: Allegretto; Full performances last about 22 minutes. [2]Charles-David Lehrer believed that the first movement of the concerto was similar to the oboe concertos of Johann Christian Fischer, Johann Christian Bach, and Carl Stamitz, also arguing that it was similar in structure to the Johann Stamitz and Carl Philipp ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Concertos pour hautbois et orchestre, no. 1 (in F) ; no. 3 (in D minor), Paris, Pleyel; Romance de Joseph variée pour le hautbois, avec orchestre, Paris, Sieber; Trois airs variés idem, Paris, Janet; Solo du Carnaval de Venise varié idem, ibid. Troisième concerto pour hautbois et orchestre, Paris, Janet
The Trio pour hautbois, basson et piano (Trio for oboe, bassoon and piano), FP 43, by Francis Poulenc is a three-movement chamber work, composed between 1924 and 1926, and premiered in the latter year. The trio was well received at its premiere in Paris, with the composer at the piano. It has been performed and recorded frequently since.