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  2. Tea (poem) - Wikipedia

    en.wikipedia.org/wiki/Tea_(poem)

    She also suggests that the poem expresses "Stevens's delicately implicit trope of drinking tea as a metaphor for reading (ingesting a drink from leaves)." [5] She notes that Stevens was a tea-fancier. [6] Robert Buttel characterizes this poem as light, witty, and rococo, and as displaying compression, concentration, and precision.

  3. Lu Tong - Wikipedia

    en.wikipedia.org/wiki/Lu_Tong

    Lu Tong (pinyin: Lú Tóng; Wade–Giles: Lu T'ung; simplified Chinese: 卢仝; traditional Chinese: 盧仝; 790–835), pseudonym Yuchuanzi (Chinese: 玉川子), was a Chinese poet of the Tang dynasty, known for his lifelong study of Chinese tea culture. He never became an official, and is better known for his love of tea than his poetry. [1] [2]

  4. Tea at the Palaz of Hoon - Wikipedia

    en.wikipedia.org/wiki/Tea_at_the_Palaz_of_Hoon

    This poem is central to Harold Bloom's reading of Stevens's Harmonium, as marking the poet's progress over the perspectivism of "The Snow Man" and the pessimism of "The Man whose Pharynx was bad". The reader who masters these poems and their interrelationships has, according to Bloom, "reached the center of Stevens's poetic and human anxieties ...

  5. Tea classics - Wikipedia

    en.wikipedia.org/wiki/Tea_classics

    Tea as a drink was first consumed in China and the earliest extant mention of tea in literature is the Classic of Poetry, although the ideogram used (荼) in these texts can also designate a variety of plants, such as sowthistle and thrush.

  6. Lay the Marble Tea - Wikipedia

    en.wikipedia.org/wiki/Lay_the_Marble_Tea

    Lay the Marble Tea is a 1959 poetry collection by American writer Richard Brautigan. It is Brautigan's first collection and third poetry publication. [1] It was published by Carp Press, the name of the self-publishing project of Brautigan and his wife, Virginia Dionne Alder. [1] Alder was heavily involved in the production process. [2]

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  8. Kobayashi Issa - Wikipedia

    en.wikipedia.org/wiki/Kobayashi_Issa

    His poetry makes liberal use of local dialects and conversational phrases, and 'including many verses on plants and the lower creatures. Issa wrote 54 haiku on the snail, 15 on the toad, nearly 200 on frogs, about 230 on the firefly, more than 150 on the mosquito, 90 on flies, over 100 on fleas and nearly 90 on the cicada, making a total of ...

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