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Mona Lisa by Leonardo da Vinci, National Gallery of Art, 8 January 1963 - 3 February 1963 ; The Mona Lisa by Leonardo da Vinci, Metropolitan Museum of Art, 7 February 1963 - 4 March 1963 ; Mona Lisa Exhibition, Tokyo National Museum, 20 April 1974 - 10 June 1974 ; References: A Treasury of Art Masterpieces: from the Renaissance to the Present ...
The title of the painting is spelled in Italian as Monna Lisa (mona being a vulgarity in Italian), which is rare in English, [21] [22] [23] where it is traditionally spelled Mona. [ 24 ] Lisa del Giocondo was a member of the Gherardini family of Florence and Tuscany , and the wife of wealthy Florentine silk merchant Francesco del Giocondo. [ 25 ]
Mona Lisa by Leonardo da Vinci, National Gallery of Art, 8 January 1963 - 3 February 1963 ; The Mona Lisa by Leonardo da Vinci, Metropolitan Museum of Art, 7 February 1963 - 4 March 1963 ; Mona Lisa Exhibition, Tokyo National Museum, 20 April 1974 - 10 June 1974 ; References: A Treasury of Art Masterpieces: from the Renaissance to the Present ...
Mona Lisa by Leonardo da Vinci, National Gallery of Art, 8 January 1963 - 3 February 1963 ; The Mona Lisa by Leonardo da Vinci, Metropolitan Museum of Art, 7 February 1963 - 4 March 1963 ; Mona Lisa Exhibition, Tokyo National Museum, 20 April 1974 - 10 June 1974 ; Notes: The most famous painting: References
There's question as to whether it was intentional, but new research into a second painting attributed. Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she ...
Guinness World Records lists Leonardo da Vinci's Mona Lisa as having the highest insurance value for a painting. On permanent display at the Louvre in Paris, the Mona Lisa was assessed at US$100 million on 14 December 1962. [3] Taking inflation into account, the 1962 value would be around US$1010 million in 2023. [4]
Detecting the rare compound in the “Mona Lisa” suggested that Leonardo could have been the original precursor of this approach, said Gilles Wallez, an author of the latest study and a ...
The use of this lead oxide powder to thicken and dry the Mona Lisa’s base layer was likely a fresh approach to painting in the early 1500s, but one that became common practice.
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