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The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
Salsa lyrics range from simple dance numbers, and sentimental romantic songs, to risque and politically radical subject matter. Music author Isabelle Leymarie notes that salsa performers often incorporate machoistic bravado ( guapería ) in their lyrics, in a manner reminiscent of calypso and samba , a theme she ascribes to the performers ...
Salsa dancers in Havana, Cuba. In Cuba, a popular dance known as Casino was marketed abroad as Cuban-style salsa or Salsa Cubana to distinguish it from other salsa styles when the name was popularized in the 1970s. Dancing Casino is an expression of popular social culture in Cuba and many Cubans consider casino a part of their social and ...
Rueda dancing requires a minimum of two couples, but could be as large as the maximum number of couples who can create a circle in the dance venue. (If necessary, multiple concentric circles can even be formed.) Since the 1990s, the music most commonly used for Rueda de Casino is either Salsa music or a unique variation of Salsa known as "Timba."
The salsa dance is similar to the mambo dance. [38] [49] Salsa dancing is structured in six-step patterns phrased on 8 counts of the music. The 8 different steps include 6 moves with 2 pauses. The pattern of the dance is 1,2,3 and pause for 4, move for 5,6,7, and pause for 8.
The Suzie Q (also Susie Q, Suzy Q or Susy Q) is a dance step in the Big Apple, Lindy Hop, Salsa, and other dances. In line dances this step is also known as heel twist (actually refers to step 2) or grind walk. The step is also used in jazz dance, and in Salsa shines.
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Zumba was created in the 1990s by dancer and choreographer Beto Pérez, an aerobics instructor in Cali, Colombia.After forgetting his usual music one day, and using cassette tapes of Latin dance music (salsa and merengue) for class, Pérez began integrating the music and dancing into other classes, calling it "Rumbacize".