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The opening bars and main theme of No. 1. The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous ...
Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. ... with the Op. 9 No. 2 in E ♭ major and the Op. 27 No. 2 in D ... B ♭ minor: Op. 9 No. 1:
Alexander Scriabin: 24 Preludes, Op. 11 (1893–95) – Scriabin wrote a total of 90 preludes for piano (50 in major keys, 31 in minor keys, and 9 in indeterminate keys). These contained only one complete set of preludes in all 24 major and minor keys. Sergei Rachmaninoff: 24 Preludes, Opp. 3/2, 23, and 32 (1892, 1901–03, and 1910)
Piano 4-hands or 2 pianos F major 1826 KK. Vb/2 Lost. Copy of first line made by Chopin's sister Ludwika is extant Variations on "Non più mesta" from Rossini's La Cenerentola: Flute and piano E major 1824 1955 B. 9 KK. Anh. Ia/5 A 1/5 This work has been attributed to Chopin, but is generally considered spurious.
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
Op. 20, Scherzo No. 1 in B minor (1831–33) Op. 21, Concerto for Piano and Orchestra No. 2 in F minor (1829–1830) Op. 22, Andante spianato et grande polonaise brillante in E ♭ major (the polonaise section orchestrated 1830-31; piano solo 1834) Op. 23, Ballade No. 1 in G minor (1831–1835) Op. 24, 4 Mazurkas (1834–1835) Mazurka in G ...
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
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