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New Morning is the eleventh studio album by the American singer-songwriter Bob Dylan, released on October 21, 1970 [2] [5] [6] by Columbia Records. Coming only four months after the controversial Self Portrait , the more concise New Morning received a much warmer reception from fans and critics.
Music critics weren’t much kinder to the new arrangements of his hits on Bob Dylan at Budokan, but his studio album released the same summer, Street-Legal, has aged well. “Baby, Stop Crying ...
[491] [468] Dylan significantly contributed to the initial success of both the Byrds and the Band: the Byrds achieved chart success with their version of "Mr. Tambourine Man" and the subsequent album, while the Band were Dylan's backing band on his 1966 tour, recorded The Basement Tapes with him in 1967 [492] and featured three previously ...
The Bootleg Series Vol. 10: Another Self Portrait (1969–1971) is available in a standard two-disc configuration as well as in a four-disc deluxe boxed set which includes, for the first time, the complete historic performance by Bob Dylan and the Band from the Isle of Wight Festival on Sunday, August 31, 1969 (though incorrectly dated August ...
A Complete Unknown spans Bob Dylan's life in the early 1960s — but the music icon was just getting started. Related: See the Cast of Bob Dylan Biopic A Complete Unknown Compared to the Real-Life ...
Non-album tracks / Bob Dylan's Greatest Hits Vol. II "George Jackson" (big band version) b/w "George Jackson" (acoustic version) 33 — 30 — 11 — — Non-album tracks / Side Tracks: 1972 "If Not for You" b/w "Tomorrow Is a Long Time" (from Bob Dylan's Greatest Hits Volume II) — — — — 30 — — New Morning: 1973 "Knockin' on Heaven ...
— Bob Dylan, “New Morning” “Woke up, it was a Chelsea morning / And the first thing that I heard / Was a song outside my window / And the traffic wrote the words.” — Joni Mitchell ...
Rolling Stone placed the song 84th on a list of the "100 Greatest Bob Dylan Songs of All Time". An article accompanying the list noted that it possesses a "raggedly euphoric power" and that "Dylan has rarely sounded as joyful as he does during the 'la la la' intro" while "gospel-tinged backup vocals add to the lyrics’ sense of unguarded intimacy and deliverance in hard times".
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