Search results
Results from the WOW.Com Content Network
The Lady with an Ermine [n 1] is a portrait painting by the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491 , the work is painted in oils on a panel of walnut wood . Its subject is Cecilia Gallerani , a mistress of Ludovico Sforza ("Il Moro"), Duke of Milan ; Leonardo was painter to the Sforza court in Milan at the time of ...
Da Vinci used the ermine/stoat was a symbol of purity in his works and wrote about its meaning. But other theories on its meaning include that it is a play on Cecilia's last name and the Greek word for the animal (gallay) and/or an emblem of Sforza, whose sobriquet became 'l'Ermellino' after being awarded the Order of the Ermine by the King of ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
An ermine was used as a symbol of moderation by Leonardo da Vinci in his painting Lady with an Ermine. In a bestiary he compiled he wrote: MODERATION The ermine out of moderation never eats but once a day, and it would rather let itself be captured by hunters than take refuge in a dirty lair, in order not to stain its purity. [14]
The Death of Leonardo da Vinci, by Ingres, 1818 [u] The 19th century brought a particular admiration for Leonardo's genius, causing Henry Fuseli to write in 1801: "Such was the dawn of modern art, when Leonardo da Vinci broke forth with a splendour that distanced former excellence: made up of all the elements that constitute the essence of ...
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
La Scapigliata (Italian for 'The Lady with Dishevelled Hair') [n 1] is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil , umber , and white lead pigments on a small poplar wood panel , its attribution remains controversial, with several experts ...
[15] [n 5] The dark background of the portrait, a style popularized by Leonardo, furthers this attribution as it appears in later paintings by him, such as the Lady with an Ermine, La Belle Ferronnière and Saint John the Baptist. [23] The Lady with an Ermine in particular has shown many stylistic similarities to the Musician from X-ray testing ...