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Embinder re-appropriated Gainsborough's Blue Boy from the funny pages and transformed a derogatory stereotype into an emblem of pride. [12] Among the gay artists who have embraced The Blue Boy as a symbol of gay emancipation are Robert Lambert (a member of Les Petites Bon-Bons), Howard Kottler, and Léopold Foulem. [13]
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Thomas Gainsborough RA FRSA (/ ˈ ɡ eɪ n z b ər ə /; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds , [ 1 ] he is considered one of the most important British artists of the second half of the 18th century. [ 2 ]
The Blue Boy by Thomas Gainsborough, c. 1770. Oil on canvas 70 in × 48 in (180 cm × 120 cm) Pinkie owes part of its notability to its association with the Gainsborough portrait The Blue Boy. According to Patricia Failing, author of Best-Loved Art from American Museums, "no other work by a British artist enjoys the fame of The Blue Boy."
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The Blue Boy by Thomas Gainsborough, c. 1770 Pinkie by Thomas Lawrence, c. 1794. The European collection, consisting largely of 18th- and 19th-century British & French paintings, sculptures and decorative arts, is housed in The Huntington Art Gallery, the original Huntington residence.
Philip James de Loutherbourg is a portrait painting by the British artist Thomas Gainsborough of the French-born painter and set designer Philippe Jacques de Loutherbourg. [ 1 ] Born in Strasbourg , Loutherbourg settled in London in 1770 and became noted for his set designs at the Theatre Royal, Drury Lane as well as his landscape paintings ...
The painting that gets slashed during the swordfight between Bond and Graves is a reproduction of Thomas Gainsborough's famous "Blue Boy" from 1770. The original "Blue Boy" hangs in the Huntington Library (San Marino, Calif.) The reproduction was hand-painted by Lyons Corner House Fine Art Reproductions in London.