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The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.
Nativity with Saint Francis and Saint Lawrence, Caravaggio, 1609. 268 cm × 197 cm (106 in × 78 in) The Nativity with Saint Francis and Saint Lawrence is a painting of the nativity of Jesus from 1609 by Italian painter Caravaggio. It has been missing since 1969 when it was stolen from the Oratory of Saint Lawrence in Palermo.
Nativity (Christus) Nativity (El Greco) Nativity (Master of the Brunswick Diptych) Nativity at Night; The Nativity (Piero della Francesca) Nativity scene; Nativity scenes attributed to Zanobi Strozzi; Nativity with Saint Francis and Saint Lawrence; Nativity with St Elizabeth and the Infant John the Baptist; The Nativity (Burne-Jones) Neapolitan ...
G Schiller, Iconography of Christian Art, Vol. II,1972 (English trans from German), Lund Humphries, London, figs 471–75, ISBN 0-85331-324-5; Emile Mâle, The Gothic Image: Religious Art in France of the Thirteenth Century, English translation of 3rd ed, 1913, Collins, London (and many other editions), ISBN 978-0064300322
The adoration is an episode in the nativity narrative of the Gospel of Luke.Shepherds are watching their flocks by night, apparently near Bethlehem, when an angel appears to announce the good news that "today in the City of David a Saviour has been born to you; he is the Messiah, the Lord". [1]
Rutland Boughton, English composer and founder of the original Glastonbury Festival, wrote a very popular Nativity opera in 1915 called Bethlehem.In 1926, in sympathy with the General Strike and the miners' lockout, he restaged it in London, in modern dress, with Jesus born in a miner's cottage and Herod as the top-hatted capitalist, flanked by soldiers and police.
Master of the Pala Sforzesca (c. 1490–c. 1500) (Art UK): Saint Paul (Art UK), The Virgin and Child with Saints and Donors (Art UK) Master of the Prodigal Son (c. 1530–1560) (Art UK): The Dead Christ supported by the Virgin and Saint John (Art UK) Master of Riglos (active 1435–1460) (Art UK): The Crucifixion (Art UK)
In art this was symbolized by combining the depictions of the Resurrection with the Harrowing of Hell in icons and paintings. A good example is from the Chora Church in Istanbul, where John the Baptist, Solomon and other figures are also present, depicting that Christ was not alone in the resurrection. [13]