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The harpsichordist Wanda Landowska was a key figure in the 20th-century revival of the harpsichord. Her instrument of choice was a (then) modern design, the Pleyel "Grand Modèle de Concert". The harpsichord was largely obsolete, and seldom played, during a period lasting from the late 18th century to the early 20th. [1]
Zuckermann, Wolfgang (1969) The Modern Harpsichord: Twentieth Century Instruments and Their Makers, New York : October House, ISBN 0-8079-0165-2; The New Grove: Early Keyboard Instruments. Macmillan, 1989 ISBN 0-393-02554-3. (material from here is also available online in Grove Music Online) Beurmann, Andreas (2012) Harpsichords and More ...
Wolfgang Joachim Zuckermann (11 October 1922 – 30 October 2018) was a German-born American harpsichord maker and writer. He was known for inventing a highly popular kit for constructing new instruments and wrote an influential book, The Modern Harpsichord.
Boalch-Mould Online A searchable database of 2000+ harpsichord and clavichord makers, 2500 instruments, and 4300 instrument photos. The first edition of Donald Boalch's catalog of harpsichord makers is accessible online at www.hathitrust.org.
Martin Skowroneck in 2013 Flemish harpsichord soundboard built by Skowroneck, 1961 (Franz Hermann) Martin Skowroneck (21 December 1926, in Berlin – 14 May 2014, in Bremen) [1] was a German harpsichord builder, one of the pioneers of the modern movement of harpsichord construction on historical principles.
This is the more common arrangement for modern instruments, and an instrument described simply as a "virginal" is likely to be a spinet virginals. The principal differences in construction lie mainly in the placement of the keyboard: Italian instruments invariably had a keyboard that projected from the case, whilst northern virginals had their ...
The New Grove musical dictionary summarizes the earliest historical traces of the harpsichord: "The earliest known reference to a harpsichord dates from 1397, when a jurist in Padua wrote that a certain Hermann Poll claimed to have invented an instrument called the 'clavicembalum'; [1] and the earliest known representation of a harpsichord is a sculpture (see below) in an altarpiece of 1425 ...
Thus, it is noteworthy that she was the only woman included in Wolfgang Zuckermann's 1969 book The Modern Harpsichord: Twentieth-Century Instruments and Their Makers. [4] In addition to making musical instruments, she was an artist who painted some of her instruments' soundboards with Australian flora and fauna.
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