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[citation needed] Thus the Neupert firm still offers its mid-century "Bach" model for sale, defending it explicitly on the grounds of its suitability for 20th-century music. [3] The transition of harpsichord building toward historicist principles is covered in detail by Hubbard (1965), Zuckermann (1969), and Kottick (2003), cited below.
Pleyel et Cie. ("Pleyel and Company") is a French piano manufacturing firm founded by the composer Ignace Pleyel in 1807. [2] In 1815, Pleyel's son Camille joined him as a business partner. The firm provided pianos to Frédéric Chopin , [ 3 ] who considered Pleyel pianos to be "non plus ultra". [ 4 ]
At this time in the 1920s, there were fewer than 50 harpsichords in the United States, most located in museums. [1] The two men went to Paris in search of a builder, where they contracted with Pleyel et Cie to produce two instruments for their use. [ 2 ]
Wanda Aleksandra Landowska (5 July 1879 – 16 August 1959) [1] was a Polish harpsichordist and pianist whose performances, teaching, writings and especially her many recordings played a large role in reviving the popularity of the harpsichord in the early 20th century.
Rocky Mount Instruments (RMI) was a subsidiary of the Allen Organ Company, based in Rocky Mount, North Carolina, active from 1966 to 1982.The company was formed to produce portable musical instruments, and manufactured several electronic pianos, harpsichords, and organs that used oscillators to create sound, instead of mechanical components like an electric piano.
Harpsichord building was often considered a lesser side job for organ builders, while some few were specialized in either harpsichord or clavichord building. [ 1 ] Note that in the German speaking world the harpsichord was only one of several instruments referred to as clavier, and keyboard instruments seem to have been used more ...
Pages in category "Harpsichord manufacturing companies" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. M.
The Gräbner family were German harpsichord-, clavichord-, organ- and eventually piano makers from the 17th century to the beginning of the 19th century. [1] They are best known for their harpsichords, which represent a mid-german style of building, distinct from the better known northern style as represented by Hass, Mietke and Zell.