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Staccato ([stakˈkaːto]; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, [ 1 ] [ 2 ] separated from the note that may follow by silence. [ 3 ]
Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay. They can also modify an event's timbre, dynamics, and pitch. [1] Musical articulation is analogous to the articulation of speech, and during the Baroque and Classical periods it was taught by comparison to ...
If no pause is executed, then it is a basic glissando; or 2. in piano music, an articulation between legato and staccato, like portato) portato or louré Carried (i.e. non-legato, but not as detached as staccato) (same as portamento) posato Settled potpourri or pot-pourri (Fr.)
The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato. [1] [4] Currently, portato is sometimes indicated in words, by "mezzo-staccato" or "non-legato"; or can be shown by three graphic forms: a slur that encompasses a phrase of staccato notes (the most common), or
Humor is another important element of scat singing. Bandleader Cab Calloway exemplified the use of humorous scatting. [11] Other examples of humorous scatting include Slim Gaillard, Leo Watson, and Bam Brown's 1945 song "Avocado Seed Soup Symphony," in which the singers scat variations on the word "avocado" for much of the recording.
Legato technique is required for slurred performance, but unlike slurring (as that term is interpreted for some instruments), legato does not forbid articulating the notes with a very slight interruption. Standard notation indicates legato either with the word legato, or by a slur (a curved line) under notes that form one legato group.
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They are most commonly notated as a short note value with a staccato dot, sometimes with the verbal marking "stab". There's a rule of thumb in funk music that says short sounds are better than long: thus the drier the guitar hit, the tighter the horn stab, the slappier the bass, the more clipped the clavinet etc, the better.
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