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One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Chopin's later work. The left hand has an unbroken sequence of eighth notes in simple arpeggios throughout the entire piece, while the right hand moves with freedom, occasionally in patterns of seven, eleven, twenty, and twenty-two in the form of polyrhythms.
Under the Classics Protection and Access Act (17 U.S.C. § 1401), this sound recording is in the public domain in the United States because it was published before January 1, 1924. Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons.
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The Caps Lock key on a PC keyboard with US keyboard layout (near upper-left corner, below the Tab key and above the left Shift key). Caps Lock (⇪ Caps Lock) is a button on a computer keyboard that causes all letters of bicameral scripts to be generated in capital letters.
Capital Lock – Caps Lock. When enabled, letters the user types will be in uppercase by default rather than lowercase. Located at left end of the keyboard, above the left shift key. Also while Caps Lock is engaged, typically the shift key instead adjusts the now-capital letter keys to type in lowercase. Scrolling Lock – Scroll Lock.
A key providing one of the functions Capitals lock (usually called “Caps Lock”), Level 2 lock (i. e. “Shift lock”), or Generalized lock shall be present, occupying the position C00. (The function “Generalized lock” is not specified in the ISO/IEC 9995 series).
This is commonly used for keyboard casings and keys. It is a comparatively soft material compared to some modern plastics but is tough and resistant to breakage. Topre casings are made of ABS and IBM Model Ms are as well. Filco and Das keys are made of ABS, as are most keys that ship with computer keyboards. It has a bit of a "slick" feeling.
However, in the Classical period, E-flat major was not limited to solely bombastic brass music. "E-flat was the key Haydn chose most often for [string] quartets, ten times in all, and in every other case he wrote the slow movement in the dominant, B-flat major." [2] Or "when composing church music and operatic music in E-flat major, [Joseph ...