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The Prado, translated from the Spanish by Richard-Lewis Rees and Angela Patricia Hall. New York: Abrams 1991. ISBN 0-8109-8147-5; Araujo Sánchez, Ceferino. Los museos de España. Madrid 1875. Blanco, Antonio. Museo del Prado. Catálago de la Escultura. I Esculturas clásicas. II. Escultura, copia e imitaciones de las antiguas) (siglos XVI ...
Granada: Sacristy Museum (Sacristía-Museo) of the Royal Chapel of Granada; Madrid: Museo del Prado, Museo Reina Sofia, Museo Thyssen Bornemisza, National Archaeological Museum of Spain, Museo Sorolla, Museo Lázaro Galdiano, Museo Cerralbo, Real Academia de Bellas Artes de San Fernando, Museum of the Americas, Royal Palace
Museo del Prado: Madrid ... Los Angeles County Museum of Art: ... Museo Egizio: Turin Italy: 10,000 (110,000) [91] 1824 Museum Kunstpalast: Düsseldorf
The Visitation is a c. 1517 painting of the Visitation of the Virgin Mary to Saint Elizabeth by Raphael, in the Prado Museum since 1837. [1] Commissioned by the Apostolic Protonotary Giovanni Branconio at his father Marino's request for their family chapel in the church of San Silvestre in Aquila (Marino's wife was called Elisabeth), it was plundered by the occupation troops of Philip IV of ...
The Gallery of Maps [1] (Italian: Galleria delle carte geografiche) is a gallery located on the west side of the Belvedere Courtyard in the Vatican containing a series of painted topographical maps of Italy based on drawings by friar and geographer Ignazio Danti. [1]
Museo del Prado, Madrid The Sciences and the Arts is a 17th-century painting which is part of the collection of the Museo de Prado in Madrid. It has traditionally been attributed to Adriaen van Stalbemt , but more recently some art historians have re-attributed the work to Hieronymus Francken the Younger .
Museo del Prado, Madrid: The Nativity is an oil on canvas painting by Italian painter Federico Barocci, created in 1597. It depicts the episode of the Nativity of Jesus.
The painting became part of the collection of the Museo del Prado, in Madrid, in 1819. [1] [2] Apollo in the Forge of Vulcan has been cited as one of the most important works from Velázquez's first trip to Italy [3] and "one of his most successful compositions with regard to the unified, natural interaction of the figures." [4]