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Natalie Diane Grant (born December 21, 1971) is an American singer and songwriter of contemporary Christian music. She received the Gospel Music Association 's Dove Award for Female Vocalist of the Year four consecutive years, 2006–2009, and a fifth award in 2012. [ 1 ]
Real Me (Ayumi song), 2002 "The Real Me" (Kiev Connolly & The Missing Passengers song), 1989 "The Real Me" (The Who song), 1973 "The Real Me", a song by The Eric Burdon Band from Sun Secrets "The Real Me", a song by Natalie Grant from Awaken
Natalie Grant A Deeper Faith: Word 2003 "Because of Love" Natalie Grant Women of Faith: The Artist Collection: Sony: 2003 "When God Made You" NewSong feat. Michael O'Brien & Natalie Grant More Life: Reunion Records: 2004 "Keep My Heart" Jeff Deyo feat. Natalie Grant Light: Gotee 2004 "There Is a Rainbow" The Roach Approach feat. Natalie Grant ...
"Isn't He (This Jesus)" is a song performed by Nashville-based contemporary worship band The Belonging Co featuring American singer Natalie Grant, which was released on March 23, 2018, [1] as the lead single from The Belonging Co's second live album, Awe + Wonder (2019). The song was written by Andrew Holt, Mia Fieldes, Natalie Grant, and Seth ...
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Clearly her producer secured a good deal with a string orchestra in the Czech Republic. Its lush sounds adorn much of the rest of the album, as Natalie's voice becomes increasingly dramatic and overproduction smooths away any musical edge. Ironically herein lies 'The Real Me' which is the strongest tune of the lot.
"The Real Me" is a song written by Pete Townshend on The Who's second full-scale rock opera, Quadrophenia in 1973. This is the second track on the album, although it is the first with lyrics. It concerns a boy named Jimmy, a young English Mod with four distinct personalities. The song describes how he angrily deals with several individuals to ...
No Stranger is the tenth studio album by American contemporary Christian music singer Natalie Grant. Curb Records released the album on September 25, 2020. [3]The album was a commercial success as it became Grant's highest charting debut on the US Billboard 200 launching at No. 13, and concurrently debuting at No. 2 on Billboard's Christian Albums chart.