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The Gibson L-1 is an acoustic guitar that was first sold by the Gibson Guitar Corporation in the early 20th century. The L-1 model was introduced first as an archtop (1902), and later as a flat top in 1926. The model is famously associated with the legendary bluesman Robert Johnson.
Gibson currently produces an Arlo Guthrie Signature model. Robert Johnson was photographed with a L-1 acoustic. Gibson makes a Robert Johnson Signature model. Woody Guthrie used an L-0. Jeff Buckley used an L-1. Sheryl Crow uses a L-00 Blues King. Elvis Costello used a LG-C. Patty Griffin used a LG-2. Gibson makes a LG-2 Americana as a replica.
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The earliest Gibson designs (L1 to L3) introduced the arched top and increasing body sizes, but still had round or oval sound holes. In 1922, Lloyd Loar was hired by the Gibson Company to redesign their instrument line in an effort to counter flagging sales, and in that same year the Gibson L5 was released to his design. Although the new ...
The Gibson L-5 is a hollow body guitar first produced in 1923 by the Gibson Guitar Corporation, then of Kalamazoo, Michigan. The first guitar to feature F-holes , the L-5 was designed under the direction of acoustical engineer and designer Lloyd Loar , and has been in production ever since.
The original can be viewed here: Gibson L-5 (1928), Maybelle Carter, CMHF.jpg: . Modifications made by Clusternote . (This page was generated by {{ Derivative work template for subst }} at 20180502094419)
The EB-1 had a solid mahogany body finished with a brown stain, and a raised pickguard, which was originally colored brown to more closely match the color of the body. It had a 30.5" scale [1] set neck—rather than the 34" scale of the Fender Precision Bass or the 41.5" scale of the 3/4-sized upright bass favored by many upright bassists of the time.
MAYBELLE CARTER GIBSON L-5 In 1928, with money from the Carter Family's successful first recordings, nineteen-year-old Maybelle Carter paid $275 for the finest guitar she could find, this 1928 Gibson L-5 model. Until her death in 1978, “Mother Maybelle” used it on hundreds of recordings, radio and television programs, and live appearances.