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Antigone inspired the 1967 Spanish-language novel La tumba de Antígona (English title: Antigone's Tomb) by María Zambrano. Puerto Rican playwright Luis Rafael Sánchez 's 1968 play La Pasión según Antígona Pérez sets Sophocles' play in a contemporary world where Creon is the dictator of a fictional Latin American nation, and Antígona and ...
Antigone (1948), by Bertolt Brecht, based on the translation by Friedrich Hölderlin and published under the title Antigonemodell 1948 [11] An English translation of Brecht's version of the play is available [12] Antigonick, play by Anne Carson (2012) which is a free and poetic adaptation of the Sophocles play. [13]
Antigone, also known as The Antigone of Sophocles, is an adaptation by the German dramatist Bertolt Brecht of Hölderlin's translation of Sophocles' tragedy. It was first performed at the Chur Stadttheater in Switzerland in 1948, with Brecht's second wife Helene Weigel , in the lead role. [ 1 ]
A marble relief of a poet, perhaps Sophocles. Sophocles, the son of Sophillus, was a wealthy member of the rural deme (small community) of Hippeios Colonus in Attica, which was to become a setting for one of his plays; and he was probably born there, [2] [8] a few years before the Battle of Marathon in 490 BC: the exact year is unclear, but 497/6 is most likely.
Sophocles, The Antigone of Sophocles edited with introduction and notes by Sir Richard Jebb. Cambridge. Cambridge University Press. 1893. Online version at the Perseus Digital Library. Sophocles, Sophocles. Vol 1: Oedipus the king. Oedipus at Colonus. Antigone. With an English translation by F. Storr. The Loeb classical library, 20. Francis Storr.
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Download as PDF; Printable version; ... Pages in category "Operas based on works by Sophocles" ... Antigone (Honegger)
Antigonae is in Orff's words a "musical setting" for the Greek tragedy of the same name by Sophocles. However, it functions as an opera. The opera is a line-by-line setting of the German translation of Sophocles' play by Friedrich Hölderlin. However, Orff did not treat Hölderlin's translation of the play as a traditional opera libretto, but ...