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When Frank appears, he and Annie confess their love and decide to marry, although with comically different ideas: Frank wants "some little chapel", while Annie wants "A wedding in a big church with bridesmaids and flower girls/ A lot of ushers in tail coats/ Reporters and photographers" ("An Old-Fashioned Wedding" o). When Annie shows Frank her ...
Musically, the song is one of Irving Berlin's three well-known songs that use true counterpoint—two equal and contrasting melodies running at the same time, both with independent lyrics - his two other best-known counterpoint songs being "Play a Simple Melody" and "An Old-Fashioned Wedding" (see the 1966 revival of Annie Get Your Gun).
I want a girl, just like the girl that married dear old Dad, She was a pearl and the only girl that Daddy ever had, A good old fashioned girl with heart so true, One who loves nobody else but you, I want a girl, just like the girl that married dear old Dad. Verse 2 By the old mill stream there sit a couple old and gray,
Here are 9 old-fashioned wedding customs in the South that we heed and cherish. Classic Southern Wedding Traditions. Nicki Metcalf Photography Burying the Bourbon. Burying the Bourbon.
"I'm Old Fashioned": A Kern melody, with Mercer’s lyrics mimed by Hayworth, inspires Astaire’s second Latin romantic partnered dance, and one of his best known. This dance was chosen by Jerome Robbins as the centerpiece to his ballet of the same name , created by him for the New York City Ballet in 1983, as a tribute to Astaire.
"The Old Fashioned Way" is the English version of Charles Aznavour's Les plaisirs démodés song. The song was released in 1973 by Barclay Records as a single ( What makes a Man on the B-side) and became a hit in the Netherlands (No. 5), [ 1 ] Belgium [ 2 ] and in the UK (it was on British charts for 15 weeks).
A dad livened up his son’s wedding with a musical number dedicated to the newlyweds. Bruce Miller, a pediatric ophthalmologist in Weston, Florida, says “music is my life.”
I'm Old Fashioned" is a 1942 song composed by Jerome Kern, with lyrics written by Johnny Mercer. It was written for the film You Were Never Lovelier (1942), where it was introduced by Nan Wynn who dubbed for Rita Hayworth as part of a song and dance routine with Fred Astaire . [ 1 ]