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A child's garment to wear at school or for play would be a pinafore. More recently, other types of full or dress-like aprons are also occasionally referred to as pinafores. In particular, this is the case for an apron with a full skirt, bib and criss-cross shoulder straps.
Detail from May Day by Kate Greenaway.The child in green wears a smock-frock. Liberty art fabrics advertisement showing a smocked dress, May 1888. It is uncertain whether smock-frocks are "frocks made like smocks" or "smocks made like frocks"—that is, whether the garment evolved from the smock, the shirt or underdress of the medieval period, or from the frock, an overgarment of equally ...
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
Pattern Challenge (Babygrow) Alteration Challenge (Bridesmaid Dress) Made-to-measure (Cape) Angeline 8 Mermaid Dress 8 Tartan Godet Cape Charlotte 1 Party Dress 6 Tweed Collared Cape Ghislaine 9 Boxing Outfit 1 Sunday Best Cape Jade 2 Bridesmaid Dress 7 Fur Trimmed Cape Jamie 6 Shift Dress 4 Classic Gentleman's Cape Josh 7 Gilet Jacket 9
Traditional apron designs vary according to local tradition and are typically only a single colour. In modern designs, the designs are more elaborate. [5] [19] The winter style dirndl has heavy, warm skirts, long sleeves and aprons made of thick cotton, linen, velvet or wool. The colours are usually brown, deep green or dark blue. [5]
In kilt form, the tartans are worn with the central vertical line of the sett on the kilt's front apron running in-line with the buttons of the jacket and with the belt buckle; and the sett horizontally centred between the top of the sporran and the bottom of the belt buckle. [3]
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Born on 20 May 1849 in Viby near Aarhus, Jenny Erasmine la Cour was the daughter of Lauritz Ulrik la Cour (1802–1875) and Ellen Kirstine née Poulsen (1809–1875).She was raised in Skærsø Manor on the island of Mols where she was introduced to handicrafts as a child.
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