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Dated to the 1st century AD, the structure represents the first and, as it appears, only known dam of its type in ancient times. [44] The longest buttress dam was the 632+ m long Consuegra Dam (3rd–4th century AD) in central Spain which is still fairly well preserved. [45]
Ancient Greek art has survived most successfully in the forms of sculpture and architecture, as well as in such minor arts as coin design, pottery, and gem engraving. The most prestigious form of Ancient Greek painting was panel painting , now known only from literary descriptions; they perished rapidly after the 4th century AD when they were ...
The idea of structural art as a creative subdiscipline of structural engineering originates from the scholarship of Prof. David P. Billington of Princeton University. The term appears to have been coined in his 1983 book The Tower and the Bridge, and arose out of scholarly study of great works of structural design made by engineers starting in the late 18th century with the beginning of the ...
The Midas Monument, a Phrygian rock-cut tomb dedicated to Midas (700 BCE).. Ancient monuments of rock-cut architecture are widespread in several regions of world. A small number of Neolithic tombs in Europe, such as the c. 3,000 B.C. Dwarfie Stane on the Orkney island of Hoy, were cut directly from the rock, rather than constructed from stone blocks.
The following is a list of notable architects – well-known individuals with a large body of published work or notable structures, which point to an article in the English Wikipedia. This is a dynamic list and may never be able to satisfy particular standards for completeness.
Cycladic art is known for its simple figurines carved in white marble; Minoan art for its palace complexes with frescos, imagery of bulls and bull-leaping, and sophisticated pottery and jewellery; and Mycenaean art for its lavish metalwork in gold, imagery of combat and massively-constructed citadels and tombs. These are very different arts ...
Bust of Artemis, with the typical classical figure of idealized features and impassive expression.Roman copy, National Archaeological Museum of Naples Since the Severe period, the effort of artists was directed towards obtaining an increasing verisimilitude of sculptural forms concerning the living model but also seeking to transcend mere likeness to express their inner virtues.
The megalithic structures of Ġgantija, Tarxien, Ħaġar Qim, Mnajdra, Ta' Ħaġrat, Skorba and smaller satellite buildings on Malta and Gozo, first appearing in their current form around 3600 BC, represent one of the earliest examples of a fully developed architectural statement in which aesthetics, location, design and engineering fused into ...