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Transcendentalism is a philosophical, spiritual, and literary movement that developed in the late 1820s and 1830s in the New England region of the United States. [1] [2] [3] A core belief is in the inherent goodness of people and nature, [1] and while society and its institutions have corrupted the purity of the individual, people are at their best when truly "self-reliant" and independent.
Saint Thomas derives the six explicitly as transcendentals, [8] though in some cases he follows the typical list of the transcendentals consisting of the One, the Good, and the True. The transcendentals are ontologically one and thus they are convertible: e.g., where there is truth, there is being and goodness also.
Pages in category "Transcendentalism" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. ...
Transcendental poetry is a term related to the theory of poetry and literature and, more precisely, to the fields of aesthetics and romantic philosophy. [1] The expression "transcendental poetry" was created by the German critic and philosopher Friedrich Schlegel (1772-1829) and also used by the poet and philosopher Friedrich von Hardenberg (1772-1801), also known as Novalis.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
[5] Frederic Henry Hedge. Originally, the group went by the name "Hedge's Club" because it usually met when Hedge was visiting from Bangor, Maine. [1] The name Transcendental Club was given to the group by the public and not by its participants. The name was coined in a January 1837 review of Emerson's essay "Nature" and was intended ...
In religion, transcendence refers to the aspect of God's nature and power which is wholly independent of the material universe, beyond all physical laws.This is contrasted with immanence, where a god is said to be fully present in the physical world and thus accessible to creatures in various ways.
The story ends with the traveler's relief that what he'd seen was just a dream and an element of hope that is rare in Hawthorne's romantic era literature. [ citation needed ] As a satire, the story aims mostly at the transcendentalists and the apparent moral complacency of their teachings. [ 6 ]