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Transcendentalism is a philosophical, spiritual, and literary movement that developed in the late 1820s and 1830s in the New England region of the United States. [1] [2] [3] A core belief is in the inherent goodness of people and nature, [1] and while society and its institutions have corrupted the purity of the individual, people are at their best when truly "self-reliant" and independent.
Transcendental poetry is a term related to the theory of poetry and literature and, more precisely, to the fields of aesthetics and romantic philosophy. [1] The expression "transcendental poetry" was created by the German critic and philosopher Friedrich Schlegel (1772-1829) and also used by the poet and philosopher Friedrich von Hardenberg (1772-1801), also known as Novalis.
The transcendentals (Latin: transcendentalia, from transcendere "to exceed") are "properties of being", nowadays commonly considered to be truth, unity (oneness), beauty, and goodness.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
It is one of the essays he wrote while establishing the doctrine of American Transcendentalism. The lecture was read at the Masonic Temple in Boston, Massachusetts in January 1842. [1] The work begins by contrasting materialists and idealists. Emerson laments the absence of "old idealists."
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'Another World: The Transcendental Painting Group' at LACMA presents an overdue survey of the abstract painting movement started in New Mexico.
Frederic Henry Hedge (December 12, 1805 – August 21, 1890) was a New England Unitarian minister and Transcendentalist.He was a founder of the Transcendental Club, originally called Hedge's Club, [1] and active in the development of Transcendentalism, although he distanced himself from the movement as it advanced.