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Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer [1]), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. [2] It is loosely adapted from Louvet de Couvrai 's novel Les amours du chevalier de Faublas and Molière 's comedy Monsieur de Pourceaugnac . [ 3 ]
The Four Last Songs (German: Vier letzte Lieder), Op. posth., for soprano and orchestra are – with the exception of the song "Malven" (Mallows), composed later the same year – the final completed works of Richard Strauss.
This is a discography of Der Rosenkavalier, [1] [2] [3] an opera in three acts with music by Richard Strauss to a German-language libretto by Hugo von Hofmannsthal. Der Rosenkavalier was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt.
The Emperor (Der Kaiser) heldentenor: Karl Aagaard Østvig: The Empress (Die Kaiserin), Keikobad's daughter: dramatic coloratura soprano: Maria Jeritza: The Nurse (Die Amme), her guardian: dramatic mezzo-soprano: Lucie Weidt: Barak, the Dyer (Barak, der Färber) bass-baritone: Richard Mayr: The Dyer's Wife (Die Färberin) high dramatic soprano ...
Der Rosenkavalier is a 1926 Austrian silent film of the opera of the same name by Richard Strauss (music) and Hugo von Hofmannsthal . Directed by Robert Wiene, it premiered on 10 January 1926 at the Dresden Semperoper, which had also hosted the actual opera's premiere 15 years earlier. Hofmannsthal considerably changed the storyline for the ...
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Schmutzer's Engraved portrait of Strauss, 1922. The orchestral Dance Suite from Keyboard Pieces by François Couperin (Tanzsuite aus Klavierstücken von François Couperin), TrV 245 was composed by Richard Strauss in 1923 and consists of eight movements, each one based on a selection of pieces from François Couperin's Pièces de Clavecin written for the solo harpsichord over the period 1713 ...
Sechs Lieder (Six Songs), Op. 68, is a collection of six Lieder (German art songs) by Richard Strauss.He composed them, setting poems by Clemens Brentano, in 1918 for soprano and piano, and orchestrated one in 1933 and five in 1940.