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Georgia O'Keeffe (Joan Allen) is a young painter in the 1910s, while Alfred Stieglitz (Jeremy Irons) is New York-based photographer and art impresario, who discovers her works. Later, when O'Keeffe discovers that her works are displayed at an art gallery without her permission, she confronts Stieglitz.
So maintains Paul Wagner, co-producer of "Georgia O'Keeffe: The Brightness of Light." The film is set to debut at the Santa Fe International Film Festival on Saturday, Oct. 19, and Sunday, Oct. 20 ...
Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements.
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.
A recent study by online art gallery Singulart found that Wisconsin native Georgia O'Keeffe (1887-1986) is the most displayed female artist across American museum art collections.
1927 Intimate Gallery, New York, Georgia O’Keeffe: Paintings, 1926 as The Dark Iris No. III; 1933 at An American Place as Black Iris; 1966 Amon Carter Museum of Western Art, Fort Worth, Texas, Georgia O'Keeffe: An Exhibition of the Work of the Artist from 1915 to 1966; 1970 Whitney Museum of American Art, New York, Georgia O'Keeffe as Black ...
An older, but similar work by O'Keeffe, Jimson Weed/White Flower No. 1 (1932), focusing on only a single flower, was sold by the Georgia O'Keeffe Museum at auction to Walmart heiress Alice Walton in 2014 for $44,405,000, more than tripling the previous world record auction for a piece by a female artist. [5]
Georgia O'Keeffe created a series of paintings of skyscrapers in New York City between 1925 and 1929. They were made after O'Keeffe moved with her new husband into an apartment on the 30th floor of the Shelton Hotel, which gave her expansive views of all but the west side of the city. She expressed her appreciation of the city's early ...
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