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Literally, "serious opera". Dominant style of opera in the 18th century, not only in Italy but throughout Europe (except France). Rigorously formal works using texts, mainly based on ancient history, by poet-librettists led by Metastasio. Patronized by the court and the nobility. Star singers were often castrati.
Opera (from the Latin opera, plural of opus, "work") is a musical genre that combines symphonic music, usually performed by an orchestra, and a written dramatic text—expressed in the form of a libretto—interpreted vocally by singers of different tessitura: tenor, baritone, and bass for the male register, and soprano, mezzo-soprano, and ...
Traditional opera, often referred to as "number opera", consists of two modes of singing: recitative, the plot-driving passages sung in a style designed to imitate and emphasize the inflections of speech, [4] and aria (an "air" or formal song) in which the characters express their emotions in a more structured melodic style. Vocal duets, trios ...
"The Standard Repertoire of Grand Opera 1607–1969", a list included in Norman Davies's Europe: a History (Oxford University Press, 1996; paperback edition Pimlico, 1997). ISBN 0-7126-6633-8. Operas appearing in the chronology by Mary Ann Smart in The Oxford Illustrated History of Opera (Oxford University Press, 1994). ISBN 0-19-816282-0.
This page contains a detailed guide to the style and formatting of opera articles and is a supplement to the Article guide page. These recommendations have been developed over the years via consensus of WikiProject Opera 's members through discussions on our talk page .
The list includes composers' principal operas and those of historical importance in the development of the art form. It covers the full historical period from the birth of opera in the late 16th century to the present day, and includes all forms of opera from light music to more formal styles.
Stile rappresentativo (Italian for "representational style") is an Italian opera term. It is a style of singing developed in the early Italian operas of the late 16th century that is more expressive than speech, but not as melodious as song. It is a dramatic recitative style of the early Baroque era in which melodies move freely over a ...
"The Standard Repertoire of Grand Opera 1607–1969", a list included in Norman Davies's Europe: a History (OUP, 1996; paperback edition Pimlico, 1997) ISBN 0-7126-6633-8. Composers mentioned in the chronology by Mary Ann Smart in The Oxford Illustrated History of Opera (OUP, 1994) ISBN 0-19-816282-0.