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When Tyrone Power left 20th Century Fox in 1952 he said that his favorite movie made at the studio was Nightmare Alley "but the studio did nothing to sell it and it wasn't a success." He said his most popular movies were Alexander's Ragtime Band , Jesse James , The Mark of Zorro and Blood and Sand .
Tyrone Edmund Power III [2] [3] (May 5, 1914 – November 15, 1958) was an American actor. From the 1930s to the 1950s, Power appeared in dozens of films, often in swashbuckler roles or romantic leads.
The Rains Came is a 1939 20th Century Fox film based on an American novel by Louis Bromfield (published in June 1937 by Harper & Brothers).The film was directed by Clarence Brown and stars Myrna Loy, Tyrone Power, George Brent, Brenda Joyce, Nigel Bruce, and Maria Ouspenskaya.
The Mark of Zorro is a 1940 American black-and-white swashbuckling film released by 20th Century-Fox, directed by Rouben Mamoulian, produced by Darryl F. Zanuck, and starring Tyrone Power, Linda Darnell, and Basil Rathbone.
Blood and Sand is a 1941 American Technicolor film drama starring Tyrone Power, Linda Darnell, Rita Hayworth and Nazimova.Directed by Rouben Mamoulian, it was produced by 20th Century Fox and was based on the 1908 Spanish novel Blood and Sand (Sangre y arena) by Vicente Blasco Ibáñez. [2]
Untamed is a 1955 American CinemaScope adventure western film, directed by Henry King and starring: Tyrone Power, Susan Hayward and Richard Egan, with Agnes Moorehead, Rita Moreno and Hope Emerson. It was made by Twentieth Century-Fox in DeLuxe Color.
The House in the Square (also titled I'll Never Forget You in the United States and Man of Two Worlds) is a 1951 science fiction fantasy film starring Tyrone Power and Ann Blyth. It was an early film for director Roy Ward Baker. Power plays Peter Standish, an American atomic scientist who is transported to the 18th century, where he falls in love.
The Black Swan is a 1942 American swashbuckler Technicolor film directed by Henry King and starring Tyrone Power and Maureen O'Hara. [3] [4] It was based on the 1932 novel of the same title by Rafael Sabatini.
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