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Adolphe Menjou (1890–1963), actor (aged 73) [2] Lou Merrill (1912–1963), actor (aged 51) ... Johnny Ramone's grave tombstone at the Hollywood Forever Cemetery. S
Adolphe Jean Menjou (February 18, 1890 – October 29, 1963) was an American actor. His career spanned both silent films and talkies.He appeared in such films as Charlie Chaplin's A Woman of Paris, where he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary ...
Teasdale and Menjou appeared together in two films, The Milky Way in 1936 and Turnabout in 1940, and were co-hosts of a syndicated radio program in the late 1940s and early 1950s. [ citation needed ] A June 19, 1949, review by Jack Gould in The New York Times said Meet the Menjous "easily is among the most literate and enjoyable items on the ...
Carver married Menjou in Paris on May 16, 1928, [4] and they divorced in 1934. [citation needed] On January 9, 1936, she wed broker Paul Vincent Hall in Armonk Village, New York. [5] She had a nervous breakdown after the death of her sister in 1932. She retired from making motion pictures in 1934.
Viktor Yushchenko at the grave of Symon Petliura Grave of François Pouqueville. Pan Yuliang (1895–1977), Chinese painter; Jean-Claude Pascal (1927–1992), singer and actor; Adolphe Pégoud (1889–1915), aviator; Auguste Perret (1874–1954), architect; Bénédicte Pesle (1927–2018), arts patron; Symon Petliura (1879–1926), Ukrainian leader
Kosloff's last film role was an uncredited role as a dance instructor in the 1937 Gregory La Cava directed Stage Door, opposite Ginger Rogers, Katharine Hepburn and Adolphe Menjou. He was the partner with madame Matilda Kshesinskaya who still lived in Paris, France.
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Morning Glory is a 1933 American Pre-Code drama film which tells the story of an eager would-be actress and her journey to stardom, and her gains and losses. The picture stars Katharine Hepburn, Douglas Fairbanks Jr., and Adolphe Menjou, was adapted by Howard J. Green from a then-unproduced stage play of the same name [2] by Zoë Akins, and was directed by Lowell Sherman.