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The composition of timbre-centered music in the nomadic communities of Tuva involves mimicry of sounds heard in the environment. Timbral listening is a fundamental component of listening to, understanding and being able to correctly perform this music using vocal techniques such as throat singing "khoomei" and harmonic producing instruments such as the jaw harp, bzaanchy, shoor, qyl qiyak, qyl ...
Flute timbre supports the detection of peace, whereas string timbre aids anger identification. Happy and sad assessments, on the other hand, rely primarily on relatively "low-level" structural information such as tempo. Both low-level cues (e.g., slow tempo) and timbre aid in the detection of peaceful music, but only timbre cued anger ...
In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments.
The most prominent feature in musical Impressionism is the use of "color", or in musical terms, timbre, which can be achieved through orchestration, harmonic usage, texture, etc. [3] Other elements of musical Impressionism also involve new chord combinations, ambiguous tonality, extended harmonies, use of modes and exotic scales, parallel ...
The mode of music (major or minor), and the tempo of a song (fast or slow) can invoke joy or sorrow in the listener. [6] In the brain, emotional analysis is carried out by "a common cortical relay, suggesting no direct access to subcortical, limbic structures".
Timbre composition is the art of creating new timbres. It is often performed electronically, either by combining sine waves (additive synthesis) or by filtering out harmonics from more complex waves (subtractive synthesis). Timbre composition is also significant for players of the electric guitar. The guitarist's relative proximity to his or ...
Traditionally in Western music, a musical tone is a steady periodic sound. A musical tone is characterized by its duration, pitch, intensity (or loudness), and timbre (or quality). [1] The notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transients, vibrato, and envelope modulation.
The latter 19th century saw the development of the psychology of music alongside the emergence of a general empirical psychology, one which passed through similar stages of development. The first was structuralist psychology, led by Wilhelm Wundt , which sought to break down experience into its smallest definable parts.