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Voice-tracking, also called cyber jocking and referred to sometimes colloquially as a robojock, is a technique employed by some radio stations in radio broadcasting to produce the illusion of a live disc jockey or announcer sitting in the radio studios of the station when one is not actually present.
Top 40 radio would punctuate the music with jingles, promotions, gags, call-ins, and requests, brief news, time and weather announcements and most importantly, advertising. The distinguishing mark of a traditional top-40 station was the use of a hyperexcited disc-jockey, and high tempo jingles.
Nelson recorded both songs with the existing equipment in a studio of the radio station. [1] During his time working on the radio in Texas, Nelson met disc jockey T. Texas Tyler. He called Tyler to ask for his help to press the records. Tyler called his acquaintance Don Pierce, who worked in Pappy Daily's Starday Records. [3]
A radio personality who hosts a radio show is also known as a radio host (North American English), radio presenter (British English) or radio jockey. Radio personalities who introduce and play individual selections of recorded music are known as disc jockeys or "DJs" for short. Broadcast radio personalities may include talk radio hosts, AM/FM ...
Customers for transcriptions were primarily smaller stations. Brewster and Broughton, in their book Last Night a DJ Saved My Life, wrote; (transcriptions) "lessened the reliance on the announcer/disc jockey and, because [a transcription] was made specifically for broadcast, it avoided record company litigation." They quoted Ben Selvin, who ...
Usually the radio stations stores all advertising campaigns and most of the music in hard disk. Then, instant replay of all the recorded material is done from a keyboard or with a click of the mouse. Now the PC is part of every AM and FM broadcasting, webcasting or podcasting system around the world. Radio software not only reproduces audio.
J.J. Wright is an American disc jockey, originally from Louisville, Kentucky, who has been broadcasting in Boston, Massachusetts since 1973. [1] Starting on WRKO (680-AM), he went to briefly to WBOS (92.9), then KISS 108 when the station first went on the air in 1979, there he stayed for nearly 20 years. [2]
He left Boston on October 31, 1969, and became the afternoon drive DJ for Top 40 station WFIL in Philadelphia. In June 1971, he moved to late nights at WLS in Chicago , and then to mid-days. In 1975, Jeffrey and his business partner, Bob Fuller, [ 1 ] also a former Maine disc jockey, purchased their first radio station, WBLM , an FM album rock ...
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