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Paul Meyer and Léopold Delisle, in their book L'Apocalypse en français au XIII e siècle (Paris MS fr. 403), 2 vols., Paris, 1901, [1] were the first scholars to try to list, describe and categorize the Apocalypse manuscripts. M. R. James also wrote about illustrated Apocalypse manuscripts in his book The Apocalypse in Art, London, 1931. [2]
Williams, John, Early Spanish Manuscript Illumination New York: George Braziller, 1977. Williams, John. The Illustrated Beatus: A Corpus of the Illustrations of the Commentary on the Apocalypse, Volume 1, Introduction. London: Harvey Miller Publishers, 1994.
In an unpublished manuscript, Newton made a reference to the year 2060, which in 2004 was falsely reported by mainstream media as a date for the end of the world. Newton was actually predicting a date before which the world would definitely not end, in order to calm people's fears about the apocalypse. [195] [196] 2129 Said Nursî
Images new to Beatus manuscripts found in the Beatus and clearly taken from the León Bible of 960 (or a very similar MS) include a set of Evangelist portraits of a distinctive type, the text and decorative illumination of an extensive genealogy of Christ (over fourteen pages with about 600 names), and a set of images illustrating Jerome's ...
The Douce Apocalypse is an illuminated manuscript of the Book of Revelation, dating from the third quarter of the 13th century, preserved in the Bodleian Library under the reference Douce 180. The manuscript contains 97 miniatures. It has been called "one of the glories of English thirteenth-century painting". [1]
The manuscript is illustrated with 52 surviving miniatures. Of the original illustrations within the commentary, twenty-seven of the original illustrations are left. [1] Compared to other illuminated manuscripts, including other illuminated manuscripts at the time, the Escorial Beatus is slightly smaller in comparison.
The Gerona Beatus is a 10th-century illuminated manuscript in the museum of Girona Cathedral, Catalonia, Spain. The manuscript contains two separate works: the Commentary on the Apocalypse by Beatus of Liébana, a late eighth-century work popular in medieval Spain [Notes 1] [1] and Jerome's commentary on the Book of Daniel.
It may find an origin in the apocryphal Apocalypse of Thomas [3] and is found in many post-millennial manuscripts in Latin and in the vernacular. References to it occur in a great multitude and variety of literary works, and via the Cursor Mundi it may have found its way even into the early modern period, in the works of William Shakespeare .