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Wordsworth himself wrote ahead to soften the thoughts of The Critical Review, hoping his friend Wrangham would push a softer approach. He succeeded in preventing a known enemy from writing the review, but it didn't help; as Wordsworth himself said, it was a case of "Out of the frying pan, into the fire".
Wordsworth himself wrote ahead to soften the thoughts of The Critical Review, hoping his friend Francis Wrangham would push for a softer approach. He succeeded in preventing a known enemy from writing the review, but it did not help; as Wordsworth himself said, it was a case of, "Out of the frying pan, into the fire".
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[A 4] Yet Wordsworth structured the poems so that they are not about any one person who has died; instead they were written about a figure representing the poet's lost inspiration. Lucy is Wordsworth's inspiration, and the poems as a whole are, according to Wordsworth biographer Kenneth Johnston, "invocations to a Muse feared to be dead". [35]
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Inscriptions (2) 1815 In a Garden of the Same [of the grounds of Coleorton] 1811 "Oft is the medal faithful to its trust" Inscriptions (2) 1815 Written at the Request of Sir George Beaumont, Bart., and in his Name, for an Urn 1808 "Ye Lime-trees, ranged before this hallowed Urn," Inscriptions (2) 1815
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It has been argued that Wordsworth was induced to write a historical poem by observing the success of Walter Scott's The Lay of the Last Minstrel.Wordsworth found in Thomas Whitaker's The History and Antiquities of the Deanery of Craven the legend of a white doe which, after the Dissolution of the Monasteries, continued to make a weekly pilgrimage from Rylstone to Bolton Abbey. [1]