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  2. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.

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  4. Calling You (Hank Williams song) - Wikipedia

    en.wikipedia.org/wiki/Calling_You_(Hank_Williams...

    With its simple musical structure and infectious sing-a-long chorus, "Calling You" remains one of Williams' most affecting gospel compositions. It was recorded at the singer's first ever recording session on December 11, 1946 for Sterling Records with Fred Rose producing.

  5. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    If two numbers are underlined, it is assumed that the chord values are even. In 4/4 time, that would mean the first chord would be played for two beats, and the second chord would be played for two beats. 2- 5 1 means a minor 2 chord for two beats, then a 5 chord for two beats, then a 1 chord for four beats. If the measure is not evenly divided ...

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  7. Your Cholesterol Could Be A Key Indicator Of Dementia. A ...

    www.aol.com/lifestyle/cholesterol-could-key...

    Typically, dementia is associated with classic symptoms like confusion and memory loss. But new research finds that there could be a less obvious risk factor out there: your cholesterol levels ...

  8. Softly and Tenderly - Wikipedia

    en.wikipedia.org/wiki/Softly_and_Tenderly

    SoftlyAndTenderly "Softly and Tenderly" is a Christian hymn.It was composed and written by Will L. Thompson in 1880. [1] It is based on the Bible verse Mark 10:49. [2]Dwight L. Moody used "Softly and Tenderly" in many of his evangelistic rallies in America and Britain.

  9. Slip Away (Clarence Carter song) - Wikipedia

    en.wikipedia.org/wiki/Slip_Away_(Clarence_Carter...

    "Slip Away", arranged and produced by Rick Hall, was recorded at FAME Studios in a mid-1967 recording session whose players, besides vocalist Clarence Carter himself on guitar, included visiting American Sound Studio (Memphis) session regulars Spooner Oldham on keyboards and Tommy Cogbill whose bass riffs on the track would become iconic in the canon of Southern soul: other session players ...