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In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2] Themes are often distinguished from premises.
Time travel is a common theme in fiction, mainly since the late 19th century, and has been depicted in a variety of media, such as literature, television, film, and advertisements. [1] [2] The concept of time travel by mechanical means was popularized in H. G. Wells' 1895 story, The Time Machine.
Literary fiction is a term that distinguishes certain fictional works that possess commonly held qualities to readers outside genre fiction. [citation needed] Literary fiction is any fiction that attempts to engage with one or more truths or questions, hence relevant to a broad scope of humanity as a form of expression.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. [1] Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history , moral philosophy, social philosophy, and interdisciplinary themes relevant to how people interpret meaning . [ 1 ]
Childhood in literature is a theme within writing concerned with depictions of adolescence. Childhood writing is often told from either the perspective of the child or that of an adult reflecting on their childhood. [1] Novels either based on or depicting childhood present social commentaries rooted in the views and experiences of an individual.
Several philosophers have had an important influence on literature. Arthur Schopenhauer, largely as a result of his system of aesthetics, is perhaps the most influential recent philosopher in the history of literature; Thomas Hardy's later novels frequently allude to Schopenhauerian themes, particularly in Jude the Obscure.
Gothic literary themes appear all throughout the story, such as how the past physically creeps into the ambiguously modern setting, recurrent imagery of doubles (notably regarding Dante and his twin brother), and the persisting melodramas associated with Dante's father's fame, absence, and demonic heritage.
In exploring these issues, she continued the tradition of Burney's novels, particularly Cecilia (1782) and Camilla (1796). [112] Worldly marriage is the theme of Austen's unfinished novel, The Watsons, which portrays a female economy in which the odds for marriage heavily favour those young women whose fathers can and will pay a dowry.