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The victory caused elation in France, compounding the interest in Egypt (often referred to as first wave of "Egyptomania" [1]) that Napoleon's campaign in Egypt had already generated. [2] [1] This interest was in turn reflected in the art of turn of the century France, producing a number of works of art centered around Napoleon's military triumphs.
The Battle of the Pyramids, also known as the Battle of Embabeh, was a major engagement fought on 21 July 1798, during the French Invasion of Egypt. The battle took place near the village of Embabeh, across the Nile River from Cairo, but was named by Napoleon after the Great Pyramid of Giza visible nearly nine miles away.
Napoleon in Cairo, by Jean-Léon Gérôme, 19th century, Princeton University Art Museum The skeleton of Napoleon's Arabian horse, Marengo, on display at the National Army Museum in London "Tracé du théatre des opérations militaires" from E.L.F. Hauet's manuscripts of the Campaign in Egypt at the American University in Cairo
[1] [2] It depicts the Battle of the Pyramids on 21 July 1798 during the French Invasion of Egypt. It is one of numerous paintings by Gros featuring Napoleon. [3] The Egyptian pyramids are clearly visible in the background. It was commissioned by the French Senate in 1809. [4] It was exhibited at the Paris Salon of 1810.
The Mediterranean campaign of 1798 was a series of major naval operations surrounding a French expeditionary force sent to Egypt under Napoleon Bonaparte during the French Revolutionary Wars. The French Republic sought to capture Egypt as the first stage in an effort to threaten British India and support Tipu Sultan , and thus force Great ...
Since Gros, the artist, was 32 years old at the time at the composition, the shy, naked prisoner behind the patient raising his arm in front of Napoleon may in fact be a hidden self-portrait. Alternatively, it could reflect the soldier's regiment since the 32e demi-brigade was one of the French units committed to the Egyptian campaign.
When Napoleon invaded Egypt in July 1798, he brought more than just tens of thousands of soldiers. He also recruited more than 150 scientists, known as savants, to accompany him.
Michel Rigo (1772 – 1815) was an artist from Genoa who accompanied the French army under Napoleon Bonaparte in their campaign in Egypt and Syria in 1798. Rigo has been described as "the first Western portraitist to work in Egypt." [1]