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Cupid and Psyche is a rich source for scenarios, and several artists have produced cycles of works based on it, including the frescoes at the Villa Farnesina (ca. 1518) by Raphael and his workshop; frescoes at Palazzo del Tè (1527–28) by Giulio Romano (painter)Giulio Romano; engravings by the "Master of the Die" (mid-16th century); and ...
Cupid and Psyche by Anthony van Dyck. Psyché is an opera (tragédie lyrique) in a prologue and five acts composed by Jean-Baptiste Lully to a libretto by Thomas Corneille [1] (adapted from Molière's original play for which Lully had composed the intermèdes).
The story of Psyche and Cupid is recounted by an old woman to a young girl kidnapped by brigands. Apuleius's version was far too ribald and overtly sexual for the 17th century stage, or even for the 17th century reader, and the story had been adapted to the morals of the time on several occasions.
The relationship depicted in this painting between Cupid and Psyche is inspired by the narrative of the Latin poet Apuleius in The Golden Ass, and was a subject that repeatedly inspired neoclassical painters, sculptors and writers of the late 18th and the early 19th centuries. The gestures of Eros, the god of love, remain measured, almost ...
The daughter of a King and Queen, Psyche was born with beauty that led to men worshipping her. This angered Venus, Cupid's mother and Goddess of Beauty. She sent Cupid to prick her with his arrow, forcing her to fall in love with a hideous creature as revenge. Instead, Cupid scratches himself with his own arrow and falls in love with Psyche.
The tale concerns the overcoming of obstacles to the love between Psyche and Cupid (also known as Eros), and their ultimate union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius from 2nd century AD, Eros and Psyche appear in Greek art as early as the 4th century BC.
The legend of Cupid and Psyche was popular source material for writers and artists in the second half of the 19th century. The story originated in the Roman writer Lucius Apuleius's Metamorphoses, commonly known as The Golden Ass. [1] Psyche dwelt in the golden palace of Cupid, the god of love.
It represents the god Cupid in the height of love and tenderness, immediately after awakening the lifeless Psyche with a kiss. The story of Cupid and Psyche is taken from Lucius Apuleius' Latin novel The Golden Ass, [2] and was popular in art. Joachim Murat acquired the first or prime version (pictured) in 1800.