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She began her career by cutting the silhouette images. After studying painting with successful miniature portraitist John Smart, Beetham painted silhouettes to be framed or miniatures were made for jewelry. From 1785 to 1809, she had a business on 27 Fleet Street in London, where she produced silhouettes of men and women.
As the 19th century neared its end, the world began to transition away from stiff Victorian fashions with the rise of the Edwardian era to new freedoms of a more simplistic dress structure and silhouette. [26] Women's fashion of the late 19th century saw an introduction of styles with a long, slim, body-hugging silhouette that revealed the ...
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Regency women followed the Empire style along with the same trend of raised waistlines as French styles, even when their countries were at war. Starting from the 1780s and early 1790s, women's silhouette became slimmer and the waistlines crept up. After 1795, waistlines rose dramatically and the skirt circumference was further reduced.
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject.
Pose implies an artistic, aesthetic, athletic, or spiritual intention of the position. Attitude refers to postures assumed for purpose of imitation, intentional or not, as well as in some standard collocations in reference to some distinguished types of posture: "Freud never assumed a fencer's attitude, yet almost all took him for a swordsman." [2]
Portrait of Thérésa Tallien by Jean-Bernard Duvivier (1806) with Empire waist Brooklyn Museum. Empire silhouette, Empire line, Empire waist or just Empire is a style in clothing in which the dress has a fitted bodice ending just below the bust, giving a high-waisted appearance, and a gathered skirt which is long and loosely fitting but skims the body rather than being supported by voluminous ...
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