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The Bible in Shakespeare: A Study of the Relation of the Works of William Shakespeare to the Bible New York: Thomas Y. Crowell Company, 1903. Burnet, R. A. L. “A Further Echo of Gilby’s ‘Commentary on Micah’ in Macbeth” Notes and Queries 29(2) (Apr 1982): 123–4.
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
This is the grace that sanctifies an individual, granting the person a participation in the divine nature and ordering him to God as to one’s supernatural end. It is this grace that receives the much greater part of the attention in the treatise on grace. The other kind of grace is gratia gratis data, commonly translated as "gratuitous grace ...
The Sleepwalking Lady Macbeth by Johann Heinrich Füssli, late 18th century. (Musée du Louvre) The sleepwalking scene is a critically celebrated scene from William Shakespeare's tragedy Macbeth (1606). Carrying a taper (candlestick), Lady Macbeth enters sleepwalking. The Doctor and the Gentlewoman stand aside to observe.
Shakespeare and his immediate family were conforming members of the established Church of England. When Shakespeare was young, his father, John Shakespeare, was elected to several municipal offices, serving as an alderman and culminating in a term as bailiff, the chief magistrate of the town council, all of which required being a church member in good standing, and he participated in ...
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
[2] [3] The song describes the Christian doctrine of grace and justification by faith articulated in Paul's Letter to the Romans in Romans 5:1-2 and 14-16. [4] The last line of the refrain, "Grace that is greater than all our sin!", and also the second line of the first verse, "Grace that exceeds our sin and our guilt!", both reflect Romans 5 ...
One of the first-recorded uses of this phrase was by the character Lady Macbeth in Act 3, Scene 2 of the tragedy play Macbeth (early 17th century), by the English playwright William Shakespeare, who said: "Things without all remedy Should be without regard: what's done, is done" [2] and "Give me your hand. What's done cannot be undone.