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A Boss OD-1 OverDrive pedal. With the 1977 release of the OD-1 OverDrive, Boss sought to offer guitarists a way to achieve the sound of power amp distortion at lower volume levels on any amp, as the advent of hard rock popularized heavily distorted tones, while the first master volume amplifiers had only recently become available.
Boss's line of compact pedals began in 1977 with the release of six pedals, all of them discontinued: an overdrive pedal (OD-1), a phaser pedal (PH-1), a parametric equalizer called the Spectrum (SP-1), a 6-band graphic equalizer (GE-6), a compressor pedal (CS-1) and an automatic wah pedal (TW-1). The Boss DS-1 was
The Boss HM-2 Heavy Metal is a distortion pedal manufactured by Boss from October 1983 until October 1991. Designed to emulate a Marshall stack , it became associated with Swedish death metal and gained a cult following in the heavy metal scene .
The Boss DS-1 is a distortion pedal for guitar, manufactured by the Roland Corporation under the brand name Boss since 1978. The first distortion effects unit made by Boss, [ 1 ] it has become a classic effect, used by many notable guitar players.
[18] [19] The overall deal valued Beats Electronics at $1 billion [3] and helped HTC turn a net profit of $10.3 million for the fourth quarter of 2013, following HTC's first quarterly loss in company history. [20] The appointment of a new chief operating officer (COO), a role previously filled by Wood, [12] was announced in early November 2013.
The 'Turbo RAT' pedal uses red LEDs for this purpose (red LEDs have about a twice as high forward voltage as the original silicon diodes), while the 'You Dirty RAT' pedal uses 1N34A germanium diodes (clipping at a much lower forward voltage). [5] [6] The distortion stage is followed by a passive "reverse" tone filter and volume control.
Effects units are available in a variety of form factors.Stompboxes are used in both live performance and studio recording. Rackmount devices saw a heavy usage during the later 20th century, due to their superior processing power and desirable tones as compared to pedal-style units.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
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