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The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.
The tone of a piece of literature is the speaker's or narrator's attitude towards the subject, rather than what the reader feels, as in mood. Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and tone.
In filmmaking, ambience (also known as atmosphere, atmos, or background) consists of the sounds of a given location or space. [1] It is the opposite of "silence". Ambience is similar to presence, but is distinguished by the existence of explicit background noise in ambience recordings, as opposed to the perceived "silence" of presence recordings.
In architecture, spatial design, literary theory, and film theory—affective atmosphere (colloquially called atmosphere) refers to the mood, situation, or sensorial qualities of a space. [1] Spaces containing atmosphere are shaped through subjective and intersubjective interactions with the qualia of the architecture. [ 2 ]
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
There are differences in music rhythm, harmony, meter, and melody. There is a difference of goodness in the characters. A difference exists in how the narrative is presented: telling a story or acting it out. The surviving book of Poetics is primarily concerned with drama; the analysis of tragedy constitutes the core of the discussion. [4] [5]
The practice of library atmospherics is the manipulation of a library's physical environment to provoke particular emotional responses in library users, typically to improve the experience of the library environment in order to secure and promote increased patronage of the library. [1]
Arthur Symons, a British poet and literary critic contemporary with the movement, at one time considered Decadence in literature to be a parent category that included both Symbolism and Impressionism, as rebellions against realism. He defined this common, decadent thread as "an intense self-consciousness, a restless curiosity in research, an ...