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The poem was also the inspiration and chorus for the G-Unit song "Footprints", from their 2003 debut album "Beg For Mercy". The 2006 eroge H2O: Footprints in the Sand uses this poem as its central motif. A Japanese translation of this poem is also recited in the Jabberwocky 2 chapter of the 2010 eroge Wonderful Everyday.
The third was a popular wedding hymn, "God, In the Planning and Purpose of Life", written by John L. Bell and Graham Maule and first appearing in publication in 1989. [24] The fourth is "Wake Now My Senses," written by Thomas Michaelson and published in "Singing the Living Tradition Hymnal" 1994, by the Unitarian Universalist Association.
Song of Songs (Cantique des Cantiques) by Gustave Moreau, 1893 The Song of Songs (Biblical Hebrew: שִׁיר הַשִּׁירִים , romanized: Šīr hašŠīrīm), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five megillot ("scrolls") in the Ketuvim ('writings'), the last section of the Tanakh.
Along with most early Christian interpreters of this parable, [6] some today continue to understand it as an allegory, whereby Jesus Christ is the bridegroom, [2] [5] echoing the Old Testament image of God as the bridegroom in Jeremiah 2:2 and similar passages, [2] and the virgins are the Christians. [7] The awaited event is the Second Coming ...
In response to both Puritan attacks on verse and the secular subjects that inspired most English poetry at the time, Robert Southwell, a Roman Catholic priest and clandestine Jesuit missionary in Elizabethan England, wrote a collection of poems on religious subjects. In his poems, Southwell drew heavily upon the Spiritual Exercises of St ...
The Wedding Feast takes place in Cana shortly after the call of Philip and Nathanael. According to John 21:2, [e] Cana was Nathanael's hometown. [3] Although none of the synoptic Gospels mentions the wedding at Cana, Christian tradition based on John 2:11 [f] holds that this is the first public miracle of Jesus. [4]
Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
The earliest Christian tradition identifies texts from the Hebrew Bible as symbolic of the divine love of God and people. The love poems of the Song of Songs and the latter prophet Hosea have many references to an intimate, spousal relationship between God and his people. [34] The prophet Hosea notes his bride in chapter 2, verses 16 and following.
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